Few Irish bands have left a mark quite like Thin Lizzy. Led by the effortlessly cool Phil Lynott, the Dublin rockers took a potent mix of hard rock, blues, soul and Irish storytelling and turned it into something unmistakably their own. From the clubs of Dublin to international stages, Thin Lizzy became one of Ireland’s greatest musical exports - and gave us some absolutely cracking tunes along the way.
Thin Lizzy came together in Dublin around the end of 1969, when Phil Lynott and his old friend, drummer Brian Downey, joined forces with Belfast guitarist Eric Bell and keyboard player Eric Wrixon, both of whom had connections with the legendary band, Them. Lynott took on bass and lead vocals, and the foundations of Thin Lizzy were in place.
Wrixon departed early on, leaving the classic original trio of Lynott, Downey and Bell. Over the years, the line-up would change considerably, with guitarists including Scott Gorham, Brian Robertson, Gary Moore, Snowy White and John Sykes all becoming part of the Thin Lizzy story. But Lynott and Downey remained at the heart of the band, while Lynott's songwriting, distinctive voice and magnetic stage presence gave Lizzy their identity.
Before Thin Lizzy, Lynott had already been cutting his teeth on Dublin’s rapidly developing rock scene. One of the most important stops was Skid Row, the Irish blues-rock outfit led by Brush Shiels. Lynott joined the group as a young vocalist and played alongside Shiels, drummer Noel Bridgeman and a teenage Gary Moore. When Lynott eventually left the band, Shiels helped teach him how to play bass - a fairly significant bit of Irish rock history when you consider what happened next.
Lynott subsequently reunited with Brian Downey in Orphanage before Thin Lizzy emerged. The new band signed to Decca and released their self-titled debut album in 1971, followed by Shades of a Blue Orphanage
in 1972 and Vagabonds of the Western World
in 1973. Success wasn't immediate. Lizzy spent those early years touring, developing their sound and trying to make an impression outside Ireland.
Then came a traditional Irish song that changed everything.
In late 1972, Thin Lizzy released their rocked-up version of Whiskey in the Jar
. The single became a major hit, spending 17 weeks near the top of the Irish charts and reaching number six in the UK. There was just one problem: the band didn't particularly want to be known for playing rocked-up Irish folk songs.
Their real international breakthrough arrived with 1976’s Jailbreak
. By then, Scott Gorham and Brian Robertson were supplying the twin-guitar attack that became one of Lizzy’s trademarks. The album contained The Boys Are Back in Town
, and suddenly Thin Lizzy weren't merely an Irish band trying to crack Britain and America - they were an international rock act. Jailbreak
reached the UK Top 10 and US Top 20, while The Boys Are Back in Town
became the song that would follow them forever.
Not a bad turnaround for a band that had spent years fighting for every break they could get.
Trying to sum up Thin Lizzy through one song is almost impossible, even if The Boys Are Back in Town
is the obvious starting point. The track has become a genuine rock anthem, but there is far more to the Thin Lizzy songbook.
Whiskey in the Jar
gave them their first major hit, while Jailbreak
delivered one of rock's great opening riffs. The Rocker
captured the swagger of the early band, Don't Believe a Word
packed an extraordinary amount of attitude into a couple of minutes, and Dancing in the Moonlight (It's Caught Me in Its Spotlight)
showed Lynott's softer, more romantic side.
Then you've got Waiting for an Alibi
, Do Anything You Want To
, Sarah
, Chinatown
, Killer on the Loose
and the brilliant Cold Sweat
from the band's heavier final period.
That variety is one of the reasons Thin Lizzy have aged so well. They could sound tough as nails one minute and surprisingly tender the next - often with Lynott spinning a story about outsiders, lovers, fighters, dreamers or lads who had probably spent a little too long in the pub.
Thin Lizzy released 12 studio albums during their original recording career, beginning with Thin Lizzy
in 1971 and ending with Thunder and Lightning
in 1983. In between came Shades of a Blue Orphanage
, Vagabonds of the Western World
, Nightlife
, Fighting
, Jailbreak
, Johnny the Fox
, Bad Reputation
, Black Rose: A Rock Legend
, Chinatown
and Renegade
.
For anyone discovering the band, Jailbreak
is the obvious entry point, while Bad Reputation
and Black Rose: A Rock Legend
show just how powerful and sophisticated Lizzy could be at their peak. The latter reunited Lynott with his old Skid Row bandmate Gary Moore, whose guitar playing helped make Black Rose one of the band's defining records.
And then there is 1978's Live and Dangerous
. Technically not a studio album, of course, but you can't really talk about Thin Lizzy's records without mentioning it. Capturing the band at full throttle, it remains one of the records most closely associated with the classic Lynott, Downey, Gorham and Robertson line-up.
Their original run closed with Thunder and Lightning
in 1983, a noticeably heavier album featuring guitarist John Sykes, before the band's farewell tour and live album Life brought the era to an end.
Thin Lizzy weren't simply one of the best Irish rock bands - they were one of the great rock bands, full stop.
The twin guitars understandably get plenty of attention, but the secret ingredient was always Phil Lynott. His songwriting brought Dublin streets, Irish history, romance, loneliness, bravado and humour into a style of hard rock that could otherwise have become fairly one-dimensional. Add Brian Downey's superb drumming and a revolving door of outstanding guitarists, and Thin Lizzy had a sound that was muscular without losing its soul.
Their influence reaches far beyond Ireland. But here at home, their importance is difficult to overstate. Thin Lizzy proved that a band coming out of Dublin could develop its own identity and take it onto the international stage without sanding away the Irishness that made it distinctive in the first place.
Decades later, you only need to hear those opening notes of The Boys Are Back in Town
, the riff from Jailbreak
or Lynott singing Whiskey in the Jar
to know exactly who you're listening to.
There was only one Thin Lizzy - and Irish rock has never quite been the same since.
READ MORE | 10 Essential Thin Lizzy Songs
Photo Credit: Thin Lizzy live on the Bad Reputation Tour, 1977. Photo: Richard Marchewka / Wikimedia Commons. Licensed under CC BY-SA 2.0.